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Photographer’s Note

June 10, 1983, the Royal Viking Star, a cruise ship on which I was giving lectures, docked in Shanghai. The monk seen here was a member of one of the only three Buddhist monasteries sanctioned by government authorities to function in those days before the country began to open up to visitors. The monk was extraordinarily gracious, allowing me to photograph him. In photographing him I used a Nikon F, with 135 mm lens and ASA-64 slide film. I just had some old slides scanned to share with other subscribers to the TrekEarth site, as addictive as any drug I know of.

In photographing the monk, I asked him to stand in a doorway, usually effective in producing a dark background. Finally, in cropping the image, i created a frame close to the golden ratio of 1:618, and put one of the man's eyes (his right) on the vertical bisector of the frame. It was discovered in 1998 by Christopher Tyler, British-born San Francisco neurophysiologist, that in most great portraits, the painter put one eye of his subject along the vertical bisector. Tyler's discovery was significant enough that it made the front page of the New York Times. I wrote about this phenomenon -- which is never taught in art schools but discovered intuitively by talented artists -- in my book 'Math and the Mona Lisa.'

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Additional Photos by Bulent Atalay (batalay) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 4793 W: 316 N: 7234] (22443)
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